An instrumental reworking of Everybloom (GZ 133) for consort of viols

An instrumental reworking of Everybloom (GZ 133) for consort of viols
A piece of pastiche baroque, written in 2003 in a fit of desperation after hearing one performance too many of Pachelbel’s lollipopular version. A curiously addictive experience
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Written November 1982. An enigmatically haunting theme is followed by eight variations which skilfully exploit the sonorities of the sextet, and display remarkable verve and versatility.
Sore and all parts included.
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Two contrasted concert pieces.
Underground is unaccompanied and dark in character; Perpetual motion, which has a piano accompaniment, is like a jerky Heath Robinson machine. Both pieces exploit the sonorities and possibilities of the double bass in an adventurous and exciting way.
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Seven pieces which exploit the viola’s wide range of colour and character in portrait–studies of crawling creatures in all their fascinating variety.
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